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"against the very best in the industry...they're in the upper tier for sure." - Computer Music Magazine
MaxLimit
Maximizing Mastering Limiter

Price
US Dollars
| MaxLimit | $ | 279.99 |
Included in the following bundle(s):
| Bundle | Price | Saving | ||
| Studio One Bundle | $ | 1249.99 | $ | 159.72 |
| Mastering Tools Bundle | $ | 349.99 | $ | 83.99 |
| Mastering Suite Bundle | $ | 599.99 | $ | 142.29 |
MaxLimit is a program maximising limiter for when you need to push your material a little further, but without destroying the dynamics. A unique 'smoothing' feature allows you to balance transparency with maximisation.
Brick-wall limiting is a ubiquitous process in the age of digital audio. Initially developed purely for practical purposes to prevent digital overload. It has in recent years been widely used for volume maximising purposes, to give the audio greater impact during the final mastering phase. This power maximisation process can however destroy the mix dynamic, creating a fatiguing sound.
This unique 'smoothing' feature in MaxLimit gives you the ability to define the density of maximisation, which gives the processor greater subtlety and flexibility than typical digital limiters. Using this feature, you can maximise the power of your mixes, while maintaining the dynamic 'punch'.
Most limiters intended for brick-wall limiting are designed either with transparency or with power maximisation in mind, as it is naturally difficult to achieve both at the same time. MaxLimit however introduces a unique 'smoothing' feature to allow direct control over the balance between transparency and maximisation. This enables subtle regulation of the 'pressure' that the limiter exerts on the audio.
Although MaxLimit is primarily intended for mastering purposes, it can be used for a much broader range of applications. The 'smoothing' feature, coupled with the inclusion of an analogue modelled 'Clip' option, makes it conceivably very useful for general tracking situations too, not just to tame the extremities of highly dynamic audio, but also to add character to a track.
Simple and direct interface
Unique 'Smooth' parameter balances transparency and volume maximisation
True analogue 'Clip' option for more creative use
Automatic Release option allows for program dependent release times
Mono version included for general tracking use
Display and Control preferences
Up to 192 kHz support
64bit floating point precision internal processing throughout
Ultra efficient processing, with specific optimisations for all native processors
System Requirements

·
Windows XP
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Windows Vista
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Windows 7

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Mac OS X (10.5 minimum)
Supported Formats
·
Audio Unit (64 and 32 bit)
·
VST (64 and 32 bit)
·
RTAS (32 bit only)
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